Datastreams aim to manipulate the conventional format
of a podcast to explore the potential of the platform.
Through periodic installments we will challenge artists
to create original, concept driven pieces.
008 - Clemency B2B fruit b
Clemency and fruit b initially interfaced as Negative Midas Touch and Blood Sport in early 2016, amalgamating their respective noisey and rhythmic output in a series of intense and relentless live performances. Later becoming residents at Sheffield’s Hybrid Vigour Club, the duo were formative peers for each other’s early DJ sets.
Following moves to Manchester and London the following year, Clemency and fruit b began forming a “long distance b2b” mix - passing a file back and forth to emulate their creative relationship before it was interrupted by distance. Adding and mixing a song at a time, the pair have created a fast and fun dancefloor soundtrack touching on a variety of club genres, bottling components of ballroom, gqom and grime alongside familiar pop.
- Clemency / fruit b
007 - Swan Meat
"MY TUMOR IS MY GHOST PRODUCER - SHE LOVES PSYCHIC TOMS"
Accompanying poem and interview with Gribs here.
- SWAN MEAT
006 - Heinrich Schwarzer
This datastream builds a chain of interpretations, each track a reaction to the last - a reflection of the way information moves; incremental changes add up to form new ideas. This datastream contains all the points between A and B. This is an ongoing project, new interpretations will be added as they are created. Stay tuned.
All three tracks are available for pay as you feel from our Bandcamp
005 - Sam Ridout
Some sounds in tension: the sound of the voice; gendered conceptions of the sound of the voice; unintended, bodily vocalisations; intimate voices, intimate things; the sound of things, of objects; the sound of the object-voice.
- Sam Ridout
004 - Gribs
This short datastream sees its creator pay homage to one of their idols. It reflects on the subtle thought processes that permeate the act of rehearsal; the acutely calibrated relationship between mind and body, intense somatic problem-solving, and the meditative synchronicity of vocal and sonic feedback with bodies in motion. In absence of the visual, it encourages us to practise kinaesthetic empathy, and consider whether the aural can convey the texture, gravity and intention of the physical. The music responds to the relentless and idiosyncratic clarity of the voice, emphasising its dynamic qualities to offer the listener a spatially delineated picture of an event otherwise unseen.
Music and instructions are provided. The rest is up to you.
003 - TAYSTII
"Clangistan Vol VIII"
The theme of Clangistan Vol VIII is humour, in many of its multifaceted forms and guises. The experience aspires towards comedy through selections, juxtapositions and timing, coinciding with comments on: foley without visual or contextual cues, blends culture vs. mashups culture, the ageing of music and how it can be revisited in the modern day, warped nostalgia and psychedelia, ‘outsider’ perspectives and creations, subversion of social attitudes to contemporary music, sidestepping and exaggerating artistic intentions, active listening vs. passive listening, and interrupting the musical canon.
Along with humour comes the nature of being good-humoured. Have light-hearted fun, listen with a smile on your face and never be above going out and getting it on the dancefloor.
Tracklist / Clangistan / TAYSTII
002 - LOFT
Exorcised club music, the spectre on the dance floor, the fog that envelopes your senses and clings to the inside of your skull. Beautiful, emotional, haunting.
In this datastream LOFT deconstructs her own work into new forms - re-purposed synthapellas, granulated original works and remixes.
001 - MICHAELBRAILEY
This inaugural mix for the datastream series covers vast ground, from field recordings, through experimental acoustic and electronic composition, to exploratory club music and unapologetic subterranean bangers blended with glittering pop acapellas.
MICHAELBRAILEY is a composer and producer based in Manchester, working in the territory between electronic music, performative technology, multimedia and live instruments. He is also the curator of VIRTUALLYREALITY, an event series dedicated to the championing and commissioning of new and compelling electronic and acoustic music from composers and producers alike.